The Silken Rose by Carol McGrath | @carolmcgrath @AccentPress | #blogtour #guestpost

Welcome to my stop on the blog tour for The Silken Rose by Carol McGrath. Today, I welcome Carol to the blog to talk about inspiration. But first, here is some bookish information about The Silken Rose, the first book in the Rose Trilogy.

Author : Carol McGrath
Title : The Silken Rose
Series : The Rose Trilogy #1
Pages : 355
Publisher : Accent Press
Publication date : April 2, 2020


1236. Beautiful Ailenor of Provence, cultured and intelligent, is only thirteen when she marries Henry III. Aware of the desperate importance of providing heirs to secure the throne from those who would snatch it away, she is ruthless in her dealings with Henry’s barons. As conflict escalates between them, Ailenor’s shrewd and clever Savoyard uncles come to support her but her growing political power is threatened when Henry’s half-siblings also arrive at court. 

Henry and Ailenor become embroiled in an unpopular war to protect Gascony, last English territory on the continent, sparking conflict with warrior knight, Simon de Montfort, the King’s seneschal. Ailenor, desperate to protect Gascony for her son, strives to treat with France and bring peace to Gascony. 

Caught in a web of treachery and deceit, ‘she-wolf’ Ailenor’s courage is tested to the limit. Can she find the strength to control her destiny and protect her all that she holds dear?



Hello, and thank you for hosting me, Eva. I am Carol McGrath, author of Medieval and Tudor Historical Fiction. So far I have four published novels. The fifth, my new novel The Silken Rose will be published by Headline on April 2nd as an e book and on July 23rd as a paperback. This book is the first of three novels in a new Trilogy about medieval she wolf queens. 

These queens lived during the magnificent thirteenth and fourteenth centuries. They are in chronological order: Ailenor of Provence, Eleanor of Castile and Isabella of France. All three wielded influence and power at a time when women were considered inferior to men mentally and physically. They were disliked by many nobles of the era for different reasons. Ailenor of Provence, married to Henry III was accused of nepotism. Eleanor of Castile was guilty of greed and amassing huge property portfolio. Isabella of France snatched the throne from her husband, Edward 11, and set up her teenage son as Edward III. She ruled as regent.

Their stories, as I write them, are intersected with female heroines drawn from the merchant class. Rosalind is an imagined character in The Silken Rose. She is an embroiderer and discoverer of secrets. The Silken Rose is told by both Ailenor and Rosalind. English embroidery was known as Opus Anglicanum and, during these magnificent gilded centuries of The High Middle Ages, was valued throughout Europe for its use of gold and silver threads and jewels.  My love of medieval embroidery and tapestry inspired the secondary plot within The Silken Rose

The inspiration for the she wolf queens’ novels initially came out of my love of telling stories, particularly about historical women whose lives are difficult to uncover. Secondly, wearing my Historian hat, I love researching too. Although I aim to tell a page-turning story with a splash of adventure and romance, I avoid contradicting the historical record. Rather, I look for the spaces in between, when nothing is recorded, where I can put my, hopefully, informed imagination into play. Queen consorts were not documented in the way their husbands are recorded within Historical sources. To investigate the queens, I had to look for precious snippets. Once I discovered their actions, it was easier to guess at their personalities. Actions, in context, often reveal more than any letters, wills or household accounts can tell about a person.

It is hard to work out appearance. There are statues of Ailenor of Provence and these, if the likeness is actually a true likeness, gave me the impression of a beautiful women with wide-set almond-shaped eyes.

She was known to be dark and tall, possibly around five feet six inches. Matthew Paris, an important chronicler during this period, wrote that she was beautiful. Ailenor is often remembered as cultured, educated, and fashionable. She wrote poetry, loved Arthurian legend and advocated the troubadour tradition loved in Provence. Ailenor was elegant and fashionable. She introduced a trend wearing little daggers on her belt and pill-box shaped headdresses or hats with shorter veils than before.

Married to doting Henry at thirteen, she was devoted to her family in Provence and to her children, especially her eldest son Lord Edward. Ailenor and Henry had three daughters and two sons. There is no evidence of Henry ever being unfaithful to her. The one serious quarrel between them occurred when his half-brothers, The Lusignans, came to England seeking his favour. She was furious and Henry banished her to Winchester. Read the novel to find out how she averted marital disaster. More tensions were to come from outside their marriage. Can she confront these and help protect the throne and her family?

Ailenor was a survivor. This little written queen was fascinating to research as was the background to the novel, the Magnificent Thirteenth Century. I aimed to create a sense of the tensions in medieval London that sweep through Rosalind’s story. A similar age to Ailenor she is portrayed as an independent woman with an embroidery workshop. It is enough to say here she hears and sees that which is hidden from others.

I hope you enjoy this novel as much as I enjoyed writing it.

Thank you again, Eva, for hosting me. Stay well everyone and stay safe through these unusual times.

[Thanks so much for stopping by, Carol. Stay safe!]

The Silken Rose is available to buy in ebook format. The UK paperback will be published in July.

Amazon US | Amazon UK | Hive UK | Kobo


Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. 

The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, is to be republished by Headline in 2020. 

The Silken Rose, first in a Medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, will be published 2nd April 2020 and 23rd July 2020 as a paperback by the Headline Group.

Carol is writing Historical nonfiction as well as fiction. She speaks at events and conferences and was the co-ordinator of the Historical Novels’ Society Conference, Oxford in September 2016. She is an avid reader and reviews for the Historical Novel Society. She is a member of both the Romantic Novelists’ Association and Historical Writers Association.

Carol lives in Oxfordshire with her husband. 

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Nowhere To Run : a list of books set in isolated locations

With most of the world’s population self-isolating and not being able to go anywhere, I thought I’d put together a wee list of books set in isolated locations. Let’s face it, things could always be worse. You could be somewhere with a murderer on the loose, for instance. Or zombies. Or one of my worst nightmares, on a ship, surrounded by nothing but water. 😱😂

These ten books were some that popped up in my head straight away when I thought of isolated places. I’m sure there are many more.

Anywho, off we go!

Ten strangers, apparently with little in common, are lured to an island mansion off the coast of Devon by the mysterious U.N.Owen. Over dinner, a record begins to play, and the voice of an unseen host accuses each person of hiding a guilty secret. That evening, former reckless driver Tony Marston is found murdered by a deadly dose of cyanide.

The tension escalates as the survivors realise the killer is not only among them but is preparing to strike again… and again…

Of course, I’m kicking things off with the brilliant Agatha Christie. I haven’t read that many of her books yet but this is definitely a favourite.

A remote lodge in upstate New York is the perfect getaway … until the bodies start piling up. When the weather takes a turn for the worse, and a blizzard cuts off the electricity–and all contact with the outside world–the guests settle in for the long haul. Soon, though, a body turns up–surely an accident. When a second body appears, they start to panic. Then they find a third body. Within the snowed-in paradise, something–or someone–is picking off the guests one by one. They can’t leave, and with no cell service, there’s no prospect of getting the police in until the weather loosens its icy grip. The weekend getaway has turned deadly. For some couples, it’s their first time away. For others, it will be their last.

Note to self : never book a break at a remote lodge in Winter

To escape her past, Anna takes a job at a hotel on the remote Scottish island of Rum, but when seven guests join her, what started as a retreat from the world turns into a deadly nightmare.

Each of the guests have a secret but one of them is lying – about who they are and why they’re on the island. There’s a murderer staying in the Bay View hotel. And they’ve set their sights on Anna.

Seven strangers. Seven secrets. One deadly lie.

Someone’s going to sleep and never wake up.

Island. Water. Never going to happen.

This was meant to be the perfect trip.

The Northern Lights. A luxury press launch on a boutique cruise ship.

A chance for travel journalist Lo Blackwood to recover from a traumatic break-in that has left her on the verge of collapse, and to work out what she wants from her relationship.

Except things don’t go as planned.

Woken in the night by screams, Lo rushes to her window to see a body thrown overboard from the next door cabin. But the records show that no-one ever checked into that cabin, and no passengers are missing from the boat.

Exhausted, emotional and increasingly desperate, Lo has to face the fact that her sleep problems might be driving her mad or she is trapped on a boat with a murderer – and she is the sole witness.

Anyone want to know the odds of little old me ever getting on a cruise ship?

1939: Europe is on the brink of war. Lily Shepherd, a servant girl, boards an ocean liner for Australia. She is on her way to a new life, leaving behind the shadows in her past.
For a humble girl, the passage proves magical – a band, cocktails, fancy dress balls. A time when she is beholden to no one. The exotic locations along the way – Naples, Cairo, Ceylon – allow her to see places she’d only ever dreamed of, and to make friends with people higher up the social scale who would ordinarily never give her the time of day. She even allows herself to hope that a man who she couldn’t possibly have a future with outside the cocoon of the ship might return her feelings. 
But Lily soon realises that her new-found friends are also escaping secrets in their past. As the ship’s glamour fades, the stage is set for something awful to happen. By the time the ship docks, two of Lily’s fellow passengers are dead, war has been declared and Lily’s life will be irrevocably changed.

Like I said, ships are a bad idea.

Jon thought he had all the time in the world to respond to his wife’s text message: I miss you so much. I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.

Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.

As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world? 

As far as doom scenarios go, it can’t get much worse than this.

Finnmark, Norway, 1617. Twenty-year-old Maren Magnusdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Arctic town of Vardø must fend for themselves. 

Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband’s authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God, and flooded with a mighty evil. 

As Maren and Ursa are drawn to one another in ways that surprise them both, the island begins to close in on them, with Absalom’s iron rule threatening Vardø’s very existence. 

Islands are clearly a popular isolated location. This one has no men. Doesn’t sound too bad 🤔

The bride ‧ The plus one ‧ The best man ‧ The wedding planner ‧ The bridesmaid ‧ The body

On an island off the coast of Ireland, guests gather to celebrate two people joining their lives together as one. The groom: handsome and charming, a rising television star. The bride: smart and ambitious, a magazine publisher. It’s a wedding for a magazine, or for a celebrity: the designer dress, the remote location, the luxe party favors, the boutique whiskey. The cell phone service may be spotty and the waves may be rough, but every detail has been expertly planned and will be expertly executed.

But perfection is for plans, and people are all too human. As the champagne is popped and the festivities begin, resentments and petty jealousies begin to mingle with the reminiscences and well wishes. The groomsmen begin the drinking game from their school days. The bridesmaid not-so-accidentally ruins her dress. The bride’s oldest (male) friend gives an uncomfortably caring toast. 

And then someone turns up dead. Who didn’t wish the happy couple well? And perhaps more important, why?

Oh, look! Another island! And a wedding party go wrong. At least there’s champagne 😂

Set against Iceland’s stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. 

Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes’s death looms, the farmer’s wife and their daughters learn there is another side to the sensational story they’ve heard. 

Iceland. Always brings the goods. I know, it’s an island too. Sounds so pretty though. Not that Agnes is in any way able to appreciate that. Such a great novel! Read it! I’ll pimp it until I’m blue in the face!

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. 

Now, he’s sure he’ll be the first person to die there.

After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. 

Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. 

But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

Quite possible the worst case scenario? All alone on another planet with no means of escape EVER! I don’t know about you but suddenly this self-isolation stuff doesn’t sound so bad, huh?

If you have any suggestions, please do leave them in the comments and I will be more than happy to compile a new list next week with your ideas. Or heck, do a post of your own. That works too!

Have you read any of the books on this list? Would you like to?

I have more lists planned over the next few weeks. I mean, I’m not reading so I might as well make lists, I guess. 😉

Stay safe and take excellent care of yourselves! xx

The Shardlake Series by C.J. Sansom

So, you’re a bookworm. And suddenly, you find you have the time to read as much as you’ve always wanted to. What better time to start catching up on series than right now?! I thought I’d offer some tips (though not necessarily all series) over the next few days/weeks/months (? Yikes!)

Today, I’m kicking things off with the Matthew Shardlake series by C.J. Sansom. If you’re a fan of historical (crime) fiction, this series is for you.

The series currently stands at 7 books and they are sure to keep you busy for quite a while. Book one, Dissolution, is the shortest at 456 pages. Book seven, Tombland, is the longest and has 866 glorious pages.


We first meet Matthew Shardlake in Dissolution. Matthew is a lawyer, working out of Lincoln’s Inn in London in Tudor times, in the service of Thomas Cromwell. King Henry VIII has ordered the dissolution of the monasteries. At one of the monasteries, all hell breaks loose and a commissioner is found murdered. Matthew and his assistant are sent to Scarnsea to investigate.

With Matthew, C.J. Sansom has created a wonderful protagonist. As a hunchback, Matthew is often not taken seriously, somewhat underestimated. He struggles with his beliefs, he is often in pain and vulnerable, but he’s also incredibly intelligent and astute. His disability will not stop him from getting to the truth, no matter who tries to block his way. But the Tudor times were turbulent, in case you didn’t know and although Matthew is richer and more privileged than most people, he is still powerless in the midst of the political schemers like Thomas Cromwell and Richie Rich. Matthew may not be at court, but he’s close enough and with unpredictable people around him at all times, you just never know where the danger will be coming from.

To me, the Shardlake series offers the best of both worlds. I love crime fiction and I love historical fiction, especially set in Tudor times, and in this case I get both. It’s clear a humongous amount of research goes into these books. You end up learning quite a lot but it never turns into a long boring history lesson. C.J. Sansom has managed to create engaging characters, some of which come back time and time again so you can see them develop and there’s a fabulous balance between Shardlake’s private and professional life.

Big books do not scare me. I read the Game of Throne series, everything after that seems like a breeze. The books in the Shardlake series never felt too long for me, despite their page count. The investigations Shardlake undertakes are always fascinating and the books have me absolutely hooked from start to finish. I’m not normally one who reads a book more than once but these have a special place on my bookshelves and I know that I will return to them at some point.

I don’t know if there will be an eighth book, though I fiercely hope so. If there ever was a perfect time for you to get caught up, then this is it. C.J. Sansom is an outstanding author and he is, in my most humble opinion, head and shoulders above anyone else in this genre.

So, are you tempted?

Affiliate link : Bookdepository
Other retailers : Amazon UK | Hive UK | Kobo | Waterstones

Massively grateful shout-out to Leah for the recommendation!

The Golden Key by Marian Womack | @TitanBooks | #blogtour #excerpt

Welcome to my stop on the blog tour for The Golden Key by Marian Womack! My thanks to Lydia at Titan Books for the invitation to join! I have an extract to share with you today but first, let’s see what The Golden Key is all about.

Author : Marian Womack
Title : The Golden Key
Pages : 320
Publisher : Titan Books UK
Publication date : February 18, 2020


London, 1901. After the death of Queen Victoria the city heaves with the uncanny and the eerie. Séances are held and the dead are called upon from darker realms.

Samuel Moncrieff, recovering from a recent tragedy of his own, meets Helena Walton-Cisneros, one of London’s most reputed mediums. But Helena is not what she seems and she’s enlisted by the elusive Lady Matthews to solve a twenty-year-old mystery: the disappearance of her three stepdaughters who vanished without a trace on the Norfolk Fens.

But the Fens are a liminal land, where folk tales and dark magic still linger. With locals that speak of devilmen and catatonic children found on the Broads, Helena finds the answer to the mystery leads back to where it started: Samuel Moncrieff. 


‘Sam, I have been meaning to talk to you.’


‘I am most impressed at your recovery. Health and occupation are the main purveyors of a happy mind! Have you had any inkling of what you might want to do next?’ 

Sam had feared this conversation, but he was prepared for it. 

‘Mind you, you are welcome to stay as long as you want!’ 

‘I had the notion of preparing myself to climb some mountain,’ Sam cut in, in the face of Charles’s embarrassed look. 

‘Very good! Train the body and the spirit will look after itself. The most important thing is to be able to control the dark impulses—’ 

Sam had a private, interior laugh. Was his uncle serious? Was he preaching against dark and fanciful notions, while taking him to a séance, of all things? 

‘Let the work of the day tire you so that you fall into a black well when you go to sleep,’ continued the older man. A cloud passed over Sam’s mind; what did his uncle know about his nightmares? Perhaps he shouted in his dreams. Did he shout about the ruined house, about Viola, about the ghostly seamstress? 

Charles imparted some more of this kind of vague, Spiritualist-magazine advice during their drive to Gower Street, while Sam nodded and uttered agreements in all the right places. They reached their destination shortly after half past seven. A maid opened the door for them, and they were shown into a parlour. The room was in half-darkness, and what light there was twisted the aspidistras at the other end into fantastical shapes. Sam weighed up his surroundings, an old habit from a time when he used to pick fights in taverns. Entrances and exits. 

Two members of the Gower Street Circle were greeting the guests: serious Miss Clare Collins, a poised young black woman with a shocking streak of white in her hair, and a Scot, Thomas Bunthorne, whom Sam had met previously. Charles greeted both of them, and introduced Miss Collins to Sam: 

‘My dear boy, here you have the most faithful group of devotees in the whole of London!’ he announced, and Miss Collins laughed heartily, as though Charles had said something truly amusing. Sam felt as if he had missed a trick. 

‘How do you do, Miss Collins?’ he offered. 

‘Sam, Miss Collins here will direct the séance,’ Charles explained. 

‘But I thought—’ 

Charles and Miss Collins smiled at Sam’s confusion. 

‘Don’t worry, Mr Moncrieff. Madame Florence is the one you have come to see tonight, and you will see her. She will lock herself in that cabinet,’ Miss Collins explained, signalling an imposing piece of black mahogany furniture at the other end of the room. Sam was unpleasantly reminded of an oversized coffin. ‘From there she will summon the spirits, but will direct the questions from the table.’ 

The rest of the small gathering was completed by a little plump woman in a worn-out gown who kept wringing her hands, and a distinguished-looking lady dressed in heavy mourning regalia, sitting on a chair with the aloof air of not needing to talk to anyone. Sam noted that Charles greeted her coldly, in a manner suggesting that he must have known her in passing, but he did not offer an introduction. Mr Woodbury, an elderly bookseller whom Sam had seen sometimes in Charles’s house, arrived shortly before the proceedings began. 

He had not expected to see the medium before the séance, but Madame Florence appeared in the dimly lit room. She moved like a graceful hostess, talking to everyone, quite as if she were about to announce dinner instead of a meeting with the dead. She was not at all as Sam had expected: he had pictured a plump spinster, an earthly matron surrounded by a group of admiring fools. 

‘Madame Florence,’ said Charles, ‘may I introduce Mr Samuel Moncrieff?’ 

She extended a heavily bejewelled hand in his direction, and Sam bent down to kiss it. He had the impression that she was sizing him up, and that she was happy with what she saw. Madame Florence seemed to be a woman who made sure her partialities were understood. She had deep, intense green eyes, which seemed to pierce through his skull and communicate hidden meanings. 

‘Are you a believer, Mr Moncrieff? Or will I have a problem with you?’ 

Her directness disarmed him for a second. She must have noticed the slight bewilderment in his eyes, for she added: 

‘I’m only joking! Please excuse me. It’s just that I can smell a non-believer from miles away.’ 

‘Madame Florence, if I may—’ he started. ‘I am new to Spiritualism, and there are still certain things that perplex me. One question, for example. If mediumship is a service, as the members of your religion proclaim, pray inform me on one point. I do not quite understand why these people have to pay to be here.’ 

‘Sam!’ Charles looked horrified. 

‘Don’t worry, Mr Bale. Nothing gives me more pleasure than dispelling these little malicious and unfounded myths about my profession. Let’s put your assertion to the test, Mr Moncrieff. Do you see that lady?’ She pointed at the woman in the worn-out dress. ‘She came to see me days ago. She needed help, solace. I could not turn her down. Of course, she could not afford to pay for my services, but she needed them nonetheless. People have their pride, Mr Moncrieff, even the less fortunate among us.’ She fixed him with an icy stare, as if daring him to take up the issue with her. ‘She is a very talented milliner, and has promised to make me a new summer hat in lieu of payment. I have accepted. It is more than fair, and I only fear that I shall be benefiting much more than her in the exchange.’ 

Her honesty was refreshing, he thought. Sam noticed that his uncle had moved away, with a wounded look. 

‘That is very generous of you,’ he said.

‘And that man over there…’ To Sam’s surprise she pointed to Mr Woodbury, who was conducting what looked like an agitated exchange with Thomas Bunthorne. ‘As well as being a celebrated vegetarian, and a significant figure in the temperance movement, he happens to want to study my psychic powers. Perhaps even to shame me as a fraud!’ She suppressed a little laugh. ‘Anyway, I cannot charge him for attending this gathering in his pursuit of scientific knowledge! You are in safe hands, Mr Moncrieff. I assure you he will scrutinise everything that happens here this evening.’ 

To her amusement, he didn’t know what else to say. 

‘Pray, excuse me, I had better prepare myself,’ Madame Florence cut off. ‘A psychic expert and a non-believer!’ she laughed. ‘I have to offer an excellent performance tonight, don’t you think?’ and she walked away from him. 

If this excerpt has piqued your interest, then why not grab yourself a copy of The Golden Key right now!

Affiliate link : Bookdepository
Other retailers : Amazon US | Amazon UK | Hive | Kobo | Waterstones | Wordery


Marian Womack is a bilingual writer (English and Spanish), and co-founder of Calque Press. She is a graduate of the Clarion Writer’s Workshop, and her debut English-language eco-storytelling collection, Lost Objects, was published in 2018 by Luna Press . Her fiction has been part of an installation in Somerset House about activism and ecology, translated into Italian, and nominated for both BSFA and British Fantasy Awards. She teaches creative writing at Oxford University, and works for Cambridge University Libraries in a teaching and engagement role. Her doctoral research looks at the communication of climate change through fiction.

Finding Dorothy by Elizabeth Letts | @QuercusBooks @ellakroftpatel | #recommended

Today is paperback publication day for the wonderful Finding Dorothy by Elizabeth Letts so I thought I’d re-share my review from April last year. This is one of those novels that just captured my heart from the first page and unsurprisingly, it made my list of “books of the year”.

Author : Elizabeth Letts
Title : Finding Dorothy
Pages : 368
Publisher : Quercus
Publication date : January 9, 2020 (paperback)


Maud Gage Baum, widow of the author of the book The Wonderful Wizard of Oz, met Judy Garland, the young actress playing the role of Dorothy on the set of The Wizard of Oz in 1939. At the time, Maud was seventy-eight and Judy was sixteen. In spite of their age difference, Maud immediately connected to Judy–especially when Maud heard her sing “Over the Rainbow,” a song whose yearning brought to mind the tough years in South Dakota when Maud and her husband struggled to make a living–until Frank Baum’s book became a national sensation.

This wonderfully evocative two-stranded story recreates Maud’s youth as the rebellious daughter of a leading suffragette, and the prairie years of Maud and Frank’s early days when they lived among the people–especially young Dorothy–who would inspire Frank’s masterpiece. Woven into this past story is one set in 1939, describing the high-pressured days on The Wizard of Oz film set where Judy is being badgered by the director, producer, and her ambitious stage mother to lose weight, bind her breasts, and laugh, cry, and act terrified on command. As Maud had promised to protect the original Dorothy back in Aberdeen, she now takes on the job of protecting young Judy.


Sometimes you pick up a book and like magic, everything seems to fall into place. For me, Finding Dorothy is one of those books. It’s extremely hard for me to put into words exactly why that is but I completely fell in love with everything about it. The era, the characters, the writing itself … it all came together and created such a wonderful reading experience.

1939, Hollywood. Filming has started on The Wizard of Oz, based on the book by L. Frank Baum. His seventy-eight year old widow, Maud, feels fiercely protective of her husband’s story. After all, she knows all its secrets and she’s determined to make the sure the film will do her husband’s story justice. But she soon realises she may need to protect the film’s star Judy Garland as well.

Maud’s story is a fascinating one. Growing up as the daughter of Matilda Joslyn Gage, it seemed her life had been entirely planned out. Matilda was a fierce and determined woman who battled for women’s right to vote and for girls to be allowed a higher education. Maud ends up being one of the first female coeds at Cornell University. But her mother’s shadow follows her everywhere and Maud never really quite finds her place there. Then she meets Frank. An actor, a weaver of stories and words, a dreamer and he completely sweeps her off her feet. And me right alongside with it.

Both Maud and Frank captured my heart from the moment I met them. From traveling throughout the country with theatre shows, to living in the harsh prairies of the Dakota Territory where they struggled to make a living, to that moment where the stars align and Frank creates his masterpiece, I became utterly invested and engrossed. 

Even though Frank, who’s incredibly fickle and apparently unable to settle down, got on my nerves sometimes; even though I sometimes felt Maud needed a bit more of a backbone; and even though at times I much more enjoyed the chapters about their lives than the ones set in 1939, I found this novel immensely immersive. At some points it even brought a lump to my throat and throughout it all there’s Maud, this energetic and passionate woman whom I absolutely adored.

“Magic isn’t things materializing out of nowhere. Magic is when a lot of people all believe in the same thing at the same time, and somehow we all escape ourselves a little bit and we meet up somewhere, and just for a moment, we taste the sublime.”

This quote sums up my reading experience entirely. I have tasted the sublime. This review doesn’t do this novel justice at all but I hope it does bring across how much I love it and that you decide to give it a go and hopefully have the same enchanting and magical experience I had.

Affiliate link : Bookdepository
Other retailers : Amazon US | Amazon UK | Kobo | Waterstones | Wordery

My Top 20 Favourite Books of 2019

What a year! This list has been nearly impossible to put together. I’ve read so many incredibly brilliant books in 2019 and it’s been a real battle trying to narrow it down to 20. I do so apologise to the authors whose books I had to drop from the list (not that you know who you are 😂) but lines must be drawn somewhere and I’ve had to be utterly ruthless.

Note : These were all published this year.

So, without further ado, in random order except for the top 4, here are my Top 20 Favourite Books of 2019.

John Marrs – The Passengers [my review]
Phoebe Locke – The July Girls [my review]
Jo Spain – Dirty Little Secrets [my review]
Taylor Jenkins-Reid – Daisy Jones and the Six [my review]

Kia Abdullah – Take It Back [no review]
James Delargy – 55 [my review]
Søren Sveistrup – The Chestnut Man [my review]

Anita Frank – The Lost Ones [no review]
Stacey Halls – The Familiars [no review]
Elizabeth Letts – Finding Dorothy [my review]

The Orenda Collection 😂

Sarah Stovell – The Home [my review]
Will Carver – Nothing Important Happened Today [my review]
Doug Johnstone – Breakers [my review]
Helen Fitzgerald – Worst Case Scenario [my review]
Louise Beech – Call Me Star Girl [my review]
Thomas Enger – Inborn [my review]

4. Ruth Ware – The Turn Of The Key [my review]
3. Rowan Coleman – The Girl at the Window [my review]
2. C.J. Tudor – The Taking of Annie Thorne [my review]

| And Novel Deelight’s Book of the Year award goes to ….. |

If you read my review back when I posted it, this will not really come as a surprise. I have to say The Taking of Annie Thorne (!!!!!! infinity) and The Girl at the Window came incredibly close and I almost had to resort to drawing straws to pick a winner. Such a hard choice to make but The Whisper Man just had that little bit of an edge. [my review]

So, there you have it. Thoughts? Suggestions? Criticism? 😂

As 2019 is coming to an end, I want to say a huge thank you to all the fabulous authors and publishers for an absolutely outstanding bookish year! Thank you to YOU, my lovely fellow bloggers and readers for your enthusiasm, your support, your comments and for sharing the book love. ❤️

I wish you all a wonderful Christmas and I’ll see you on the other side when I’ll be taking a look at what 2020 has in store for the book world. Until then, stay safe, be merry and keep reading. xx

Top 15 Favourite Series of 2019

It’s that time of year again, when I look back on all the brilliant books I’ve had the pleasure of reading. December seems to be coming around faster and faster. As predicted, 2019 was a fantastic year for books and putting these end-of-year lists together was tough!

Like last year, I’ve split my favourite books of the year up into two different posts. Today, the focus lies on additions to series. I seem to have read less of them this year, hence the slightly odd number of 15. But they’re all corkers!

So here we go, in random order : my 15 favourite series of 2019.

| Victoria Jenkins – Detectives King & Lane |

The fourth and final book in the King & Lane series. Back when I picked up the first book, The Girls in the Water, I just knew I was in for something special. There was something about Victoria Jenkins’ writing, the incredible plotting and the absolutely fantastic main female characters that got my pulse racing. Every book since then just got better and better and now here we are, at the end. It’s been an incredibly thrilling ride and if this is the end, then it’s a fabulous way to go.

| Rachel Abbott – DCI Tom Douglas |

The Shape of Lies is book 8 and another fantastic addition to the DCI Tom Douglas series. Full of suspense and intrigue, it makes for one gripping and tense read. I thoroughly enjoyed catching up with Tom and Becky again and I hope to see them back again soon. In the meantime, you have time to get caught up if you haven’t done so already because this truly is a fantastic crime series that should be on everyone’s radar and Rachel Abbott is an author who should most definitely be on your bookshelf.

| David Jackson – DS Nathan Cody |

Your Deepest Fear is dark, disturbing and insanely tense. It’s so fast paced, it almost felt relentless at times and left me in desperate need of a breather. My heart was pounding, my hands were clammy and I was trying extremely hard to figure out how it would all end. What an incredible addition to an already outstanding series! I dare say this is even the best one yet and I urge you all to read this series, if you’re not doing so already. I highly recommend it.

| Helen Fields – DI Luc Callanach |

Honestly, if you’re not reading this series, I am judging you like a big, bad judging thing! This is one of the best crime fiction series out there and you are sorely missing out! And that’s all I’m going to say about that!

| Angela Marsons – DI Kim Stone |

The writing machine that is Angela Marsons struck again in 2019 with no less than THREE additions to the brilliant DI Kim Stone series. Still going strong, still insanely gripping and addictive and now with the added bonus of a prequel to find out where it all began.

| Stephanie Broadribb – Lori Anderson |

This series has been a total blast from the very first book and Deep Dirty Truth is without a doubt THE BEST ONE YET! Oh yes! I said it! Fast-paced, with characters to get invested in and root for and edge-of-your-seat action galore, this is sheer entertainment of the highest level! Stock up on snacks and maybe an oxygen tank and enjoy the rollercoaster ride! Your legs may feel like jelly at the end of it, but it’ll be worth it!

| Karin Slaughter – Will Trent |

If there’s a Karin Slaughter book, you’d better believe it will make my list. It’s been quite the wait for a new addition to the Will Trent series but it was worth it. Karin Slaughter firmly cemented her spot as my favourite author and The Last Widow is taught, sharp and with a focus on hard-hitting and tough topics.

| Cara Hunter – DI Adam Fawley |

If you’re sitting there wondering if you need another crime fiction series in your life, the answer is “yes” and this right here is that series. I highly recommend you add this one to your shelves. It is one of the best crime fiction series out there and a definite must-read! Just so you know, book four is published in January and available for preorder. I have no doubt you’ll be seeing it here at some point.

| Matt Wesolowski – Six Stories |

Changeling was one of my most anticipated releases this year and it did not disappoint! If you’re not familiar with the Six Stories series (OMG WHAT THE HECK IS WRONG WITH YOU?!), it’s centred around a true crime podcast in which Scott King investigates cold cases. Changeling is book 3 in the Six Stories series and it is one of those stories that worms its way under your skin, one that will just not let you go. Dark, disturbing and chilling, Changeling had my heartbeat racing throughout and I was gripping the pages so tightly that my knuckles turned white! This tremendously addictive page-turner is insanely thought-provoking and also absolutely terrifying, though possibly not in the way you might expect.

| Will Dean – Tuva Moodyson |

Nothing is quite what it seems in Red Snow. With intriguing and complex characters and a deliciously intricate plot, this novel had me staying up way too late in a desperate attempt to finish it. But I just had to know what was going on. I didn’t count on Will Dean’s devious mind though, which meant that the final pages came at me like a knockout punch to the gut that left me winded but also caused so much adrenaline to course right through me, I felt like I could have gone out and run a marathon! I can’t wait for Tuva 3, out in March!

| Sarah Hilary – DI Marnie Rome |

Please tell me you are reading this series. It’s been absolutely outstanding from the very beginning and I don’t know how she does it, but Sarah Hilary manages to outdo herself time and time again, bringing each book in this series to a whole other level. At the risk of repeating myself, because I’m pretty sure I say this every time, this is the best one in the series yet and Sarah Hilary is an author who deserves all the praise. She continues to impress me with her remarkable storylines, utterly brilliant character development and fantastic writing. There are so many lines I could quote but I won’t because I’d be here all day and obviously you just need to read this book (and the rest of the series) for yourself.

| Bella Ellis – The Brontë Mysteries |

The Vanished Bride is the first book in a brand-new series by Bella Ellis, which is a pen name for the incredibly amazing Rowan Coleman. I knew the minute I started reading this book that it would make my list. I absolutely can’t wait to hang out with these three delightful characters again.

| Johana Gustawsson – Roy & Castells |

Few crime fiction series leave me feeling like I’ve been punched in the gut numerous times, wanting to curl up into a tiny ball under my duvet, but Johana Gustawsson manages it every single time. Johana Gustawsson is a remarkable talent and I continue to be absolutely impressed by the way she manages to combine modern crime fiction with some of history’s most shocking eras and the atrocious things humans are capable of. I can’t recommend this powerful read, and this entire series, enough and I absolutely can’t wait for more! 

| Joseph Knox – Aidan Waits |

This series is one I’ve been with from the beginning. In fact, Sirens was the book that first made me start thinking about blogging because I needed a place to shout about its awesomeness. Since then, Joseph Knox has been raising the bar, with each book being even stronger than the previous one. Like its predecessors, The Sleepwalker is masterfully plotted, immensely dark, extremely gritty and completely engrossing from start to finish. Joseph Knox is an incredible talent and the Aidan Waits series is absolutely outstanding. Every single one of these books has caused a massive book hangover and The Sleepwalker is no different. I can’t recommend these books enough! They NEED to be on any crime fiction fan’s bookshelf. I promise you, you will not regret it for one second!

| M.W. Craven – Washington Poe & Tilly Bradshaw |

How can someone be both dead and alive at the same time? This intriguing question is for Poe and Tilly to find out in Black Summer, the incredible follow-up to The Puppet Show. It doesn’t matter whether your Team Poe or Team Tilly but you should most definitely be Team Craven. A truly gripping, addictive page-turner, Black Summer is sure to leave you wanting more and as luck will have it, book 3 will be out next year. I, for one, can’t wait!

And there you have it. The series that made my heart beat that little faster, made my hands go clammy and that left such an impression on me that adding them to this list was a total no-brainer.

Now is your chance to kick my bum (virtually, thank you) and tell me which series I’ve left out. Are there some you don’t agree with? Are there any you can’t wait to read? 

Hope you find something you like here and I’ve given you some ideas. Next week, I’ll be sharing my list of favourite stand-alones of 2019. Until then, I wish you lots of happy reading! xx

The Vanished Bride by Bella Ellis | @brontemysteries @HodderBooks | #recommended

Author : Bella Ellis
Title : The Vanished Bride
Series : Bronte Mysteries #1
Pages : 337
Publisher : Hodder & Stoughton
Publication date : November 7, 2019


Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters–the Brontë sisters–learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.

These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations and are expert readers. And, as Charlotte remarks, “detecting is reading between the lines–it’s seeing what is not there.”

As they investigate, Charlotte, Emily, and Anne are confronted with a society that believes a woman’s place is in the home, not scouring the countryside looking for clues. But nothing will stop the sisters from discovering what happened to the vanished bride, even as they find their own lives are in great peril.


For those of who you do not know, Bella Ellis is a pen name for author Rowan Coleman and I’m getting to that stage where I’m beginning to think she can just write me a shopping list and I’ll read it and love every word of it.

A young mother disappears from her home, leaving only a big pile of blood in her bedroom but no clue as to her whereabouts. When word of this mystery reaches the home of the Brontë sisters, they take it upon themselves to go out and try to solve what happened to this young woman.

I was a little wary at first to have these three pretty iconic characters fictionalised as “lady detectors”, investigating a possible crime. But the warmth with which Bella Ellis brings these sisters to life won me over from the get-go. It is abundantly clear from reading this first instalment in the Brontë Mysteries that Bella Ellis deeply loves Charlotte, Emily and Anne and that a lot of research went into this. I soon found myself pulled along in their enthusiasm trying to solve the case of the vanished bride.

But The Vanished Bride is more than just a mystery. It highlights the plight of women in those days; how they were seen as property; how they weren’t allowed their own opinions or were definitely not allowed to voice them; how their place was at home, raising children and most definitely not running wild across the countryside. Some of these women truly suffered but they had no means to escape some of the brutal events they had to endure. These circumstances stand in sharp contrast with the peaceful lives of the sisters.

Beautifully written, hugely atmospheric and with engaging characters, The Vanished Bride made me wish I could run across the fields and the moors along with the Brontë sisters. Each sister has a distinctive voice and with each one of them getting their own point-of-view, it truly allows the reader to get to know them better. Throughout the story, I leaned more towards Emily but at the end, through all the squabbles and disagreements, rivalry and slight jealousy, giggles and love, I realised I adored all three equally. I absolutely loved The Vanished Bride and I can’t wait to spend more time with these three characters, solving the next mystery they are sure to stumble upon.

The Vanished Bride is available to buy!

Affiliate link : Bookdepository
Other retailers : Amazon US | Amazon UK | Kobo | Waterstones | Wordery

Writing Regency Women : a #guestpost by Caroline Miley, author of Artist On Campaign

Happy publication day to Caroline Miley for her latest novel, Artist On Campaign. Caroline visits my blog today to talk about writing regency women in novels but first let’s see what her latest book is all about.

Author : Caroline Miley
Title : Artist On Campaign
Pages : 380
Publisher : Greenslade Creations
Publication date : October 30, 2019


Ralph Oughtred has few ambitions – to be rich, or at least out of debt, to eventually marry his charming mistress, and to get into the Royal Academy.

An amiable rake in Georgian London, Ralph is an artist who thinks he’s got it made when he wins a big commission to paint the Duke of Wellington’s generals. But before he can put brush to canvas they’re whisked off to Portugal to fight Napoleon, and he must follow or lose the money. In a comic romp through Portugal and Spain in the train of the British army, Ralph leads the reader through war, art, sex, love, travelogue, musings on life and a lot of drinking. He’s recruited as a spy, accidentally leads a cavalry charge, makes love to an officer’s wife during the Battle of Porto, and is captured by the French.

A man of his time and an everyman bound to the wheel of fortune, Ralph travels the road of the reluctant hero from innocence to experience. But he’s intelligent and complex and his adventures will appeal to the reader who wants their history to live, their escapism to be philosophical and their narratives lyrical. The book is written with a deft, light touch; there’s just enough accurate military history, and the characters – Ralph and his friends, and the generals he paints – are varied and amusing.

Artist at Large is that rare bird, a novel that is literary, historical and funny, a stylish evocation of the history and manners of an era, and an entertainment of the highest order.

Amazon US | Amazon UK



As a historian and author of historical novels set in the late Georgian, I’m often in conflict about writing female characters. The conflict is caused by the clash between the values of today and of the past, and between historical facts and imaginary characters. The past, as LP Hartley famously said, is another country. They do things differently there. And nowhere is that more apparent for a historical writer today, than in the position of women, which has changed far, far more in the last 200 years than the positions of men. And that poses a dilemma for authors.

Dame Hilary Mantel says that women writers must stop rewriting history to make their female characters falsely “empowered”. Part of this, she says, is the desire to give ‘a voice to those who have been silenced’. That’s very understandable, but I’m with Dame Hilary. The problem is not empowerment, it’s the ‘falsely’. 

Two hundred years ago, women had few legal rights. Married women could not own property, although women from moneyed families often had specific amounts agreed to in marriage contracts. Married women had no rights, even, to their children, and depended on the men in their families – fathers, brothers, husbands – to use goodwill in managing their affairs and representing them in public spheres such as the law courts. Unmarried women over their late 20s were generally regarded as ‘poor cousins’ by society and had little status. Society had narrow views on what roles and behaviour were suitable for women and ostracized those who didn’t conform.

So what’s a writer to do? For me, the answer is in looking more closely at what women’s lives were really like, and what they thought themselves. Something that’s immediately apparent is that women didn’t particularly think of themselves as unempowered. Women of all classes – and there were enormous differences in the life of working, middle and upper-class women – exercised their powers in a large variety of ways.

The greatest freedom, as always, was to be found in the lowest and highest in the land. A wealthy woman had a great deal at her command, especially if her father had managed her marriage contract well. Lady Caroline Lamb had money and a title that no-one could take away; she was excluded from polite society because of her rampant behaviour, but perhaps didn’t care. Women like Becky Sharp in Vanity Fair could shrewdly parlay their beauty and skills into social advancement. And women at the lowest levels could do much as they pleased, because they, too, didn’t care what people thought. They could fall down drunk on gin, brawl in the street, run a tavern or conduct a respectable business as a washerwoman. They still had no rights, but then, the men of their class had relatively few either. There was an equality of disempowerment. It was the respectable middle classes, such as Jane Austen’s family, who cared what people thought and tried to conform to expected standards of polite behaviour.

It’s important, too, to realise that the Regency was the last gasp of the rollicking, boisterous, bawdy Georgian era, the last before the straightlaced Victorians and their ‘family values’ and prudery about sex. Regency rakes still wore powder and patches, dampened their breeches to make them cling and wore ornate fobs dangling just above their genitals, and rakish Regency women rouged their nipples and wore transparent muslin. In the dark streets of pre-gaslit London and in country hedgerows, men and women enjoyed each other with gusto. We know this because of Sheridan’s and Goldsmith’s plays, and most of all, perhaps, from Rowlandson’s lampoons and sketches. One of the premier illustrators of his day, Rowlandson’s colossal output included a huge number of graphically sexual drawings that show men – and women – enjoying themselves with energy.

Soldiers’ wives – and the army was large at the time – lived in barracks with their children and followed their men on campaign, marching with them from place to place, carrying their children and sometimes even their man’s equipment. They might be respectable or otherwise. They could make money by doing the officers’ washing, mending and cutting their hair, and baking biscuit for the Commissaries. These women were enterprising and entrepreneurial, and endured hardships stoically. Their achievements were in many ways highly admirable.

More respectable women did none of this, but there is no reason to suppose that they didn’t enjoy their respectable marriage bed. And they had plenty to occupy themselves. They cared for the poor, visited the sick, drew the vicar’s attention to evils that needed to be remedied. They taught their own and other people’s children. They ran schools for girls and young ladies. They wrote novels and poetry and translated books. There were, in fact, many women writers of the late 18th century, although most have been forgotten today, but Maria Edgeworth, Fanny Burney, Anna Laetitia Barbauld and Anna Yearsley, and bluestockings like Hester Thrale were well-known in their own time.  Ann Radcliffe, author of Gothic novels, was the most popular and highest-paid novelist in Britain in the 1790s.

Women were also interested in politics, although the suffrage movement was decades away. Mary Wollestonecraft was middle class, but her more bohemian circle was more liberal in its acceptance of unconventional behaviour. Women could not speak in public or stand for Parliament, but they could read, and attempt to influence others. Again, they had to be imaginative in the ways they could exercise that influence. Women were very instrumental in the abolition of the slave trade movement of the period, for instance. Aphra Benn and Hannah More, among others, published books, tracts and poems drawing attention to the plight of the slaves, which were widely distributed. Women bought Wedgwood anti-slavery medallions they wore as jewellery and played a huge part in the very successful sugar boycott, which hit plantation-owners’ pockets, and exclusively patronising grocers who did not sell plantation sugar.

Women of the past may have had few rights and a narrow range of social roles, but there is real fascination, and countless stories, in seeing the variety of what they did with their lives within those confines, and how imaginatively and powerfully they exerted themselves in the spheres that were open to them.

I couldn’t agree more with this post if I tried. The whole idea of rewriting history is a scary thought to me. You can’t just erase historical events or ways of life because they make people feel uncomfortable in this day and age. Where do you even draw the line? That was then, this is now and I for one prefer my historical fiction, fiction though it may be, as close to the mark as it can possibly be.

Thank you so much for stopping by, Caroline, and for writing this fascinating and thought-provoking post.


Caroline Miley is an art historian and author of literary historical novels set in the late Georgian era. Her debut novel, The Competition, won a Varuna Fellowship and a Fellowship of Australian Writers award, and was selected by the Royal Academy of Arts for its 250th Anniversary celebrations. Her latest novel, Artist on Campaign, was inspired by wondering what would happen if a rake of an artist was obliged to put up with the British Army, and vice versa.

Her interests are art, both as a practitioner and a viewer, books, films, history, travel and gardens. 

Daisy Jones and The Six by Taylor Jenkins Reid | #20BooksOfSummer

Author : Taylor Jenkins-Reid
Title : Daisy Jones and The Six
Pages : 368
Publisher : Hutchinson
Publication date : March 5, 2019


For a while, Daisy Jones & The Six were everywhere. Their albums were on every turntable, they sold out arenas from coast to coast, their sound defined an era. And then, on 12 July 1979, they split. Nobody ever knew why. Until now.

They were lovers and friends and brothers and rivals. They couldn’t believe their luck, until it ran out. This is their story of the early days and the wild nights, but everyone remembers the truth differently. The only thing they all know for sure is that from the moment Daisy Jones walked barefoot onstage at the Whisky, their lives were irrevocably changed.

Making music is never just about the music. And sometimes it can be hard to tell where the sound stops and the feelings begin.


Why yes, this is my second Taylor Jenkins Reid book of the Summer. I didn’t plan it like that but you know, peer pressure. What can you do?

Daisy Jones and The Six follows the rise and fall of one of the most popular bands of the 70’s. At one point, they were absolutely everywhere with their albums selling like hot cakes and sold out arenas from coast to coast. And then suddenly, seemingly out of nowhere, it all came to an end and nobody knew why. Now, band members and people who were around them at the time have sat down to tell their stories.

This novel is written like a rock documentary and to be honest, I struggled somewhat with this format at the start. If this had been on television, I would have been glued to the screen but to read it in this way was a bit weird at first. I felt it didn’t quite give me the opportunity to connect to these characters. However, the more I read and adjusted to the way it was written, the more I became hooked and completely immersed in the story of these seven rockstars.

There are quite a lot of cliches in this book, from the sex, the drugs and the rock ‘n’ roll to the egos that won’t fit through a door. But throughout it all, there is also a really interesting journey of personal growth, of figuring out what’s ultimately more important in life and of knowing when to step away. Throughout it all, I was often reminded of Lyndsey Buckingham and Stevie Nicks from Fleetwood Mac. This volatile relationship that created such amazing music and ultimately imploded.

Despite my initial misgivings, I’m so glad I kept on reading because I ended up loving this book. It’s brilliantly written, full of flawed and damaged characters and I just had to know what caused this band to split up at the height of their fame. Taylor Jenkins-Reid really managed to capture the era of the seventies and Daisy Jones especially is a character that is truly unforgettable.

With this second book by Taylor Jenkins-Reid under my belt, she has now found herself a spot on my list of go-to authors. Daisy Jones and The Six is refreshing, original, brilliantly written historical fiction from the top shelf.

Daisy Jones and The Six is available to buy!

Affiliate link : Bookdepository
Other retailers : Amazon US | Amazon UK | Kobo | Waterstones | Wordery

Book 16 from my 20 Books of Summer list